Durga Puja, the most happening festival of the Bengalis can be sensed with its spurt of fanfare on all the four days of the Durga Puja festival. This autumnal festival popularly known as Sharodotsav, recalls the power of female Shakti symbolized by the Goddess Durga who slays asura to reestablish peace and sanctity on earth again. Bengalis all over the world during these days of Durga Puja rejoice to their heart's content reconnecting with friends and relatives. Durga Puja is an occasion when the familiar sound of Dhak, Dhunuchi nachh,the mild fragrance of Shiuli, gives a familiar tug to every Bengali heart. The celebration of Durga Puja goes very far back in history and there are abundant references to it in India literature from 12th century onwards. However, today Durga Puja is generally a community festival. The Puja celebration over the years has changed color often. Earlier, it was the most expensive of all festivals and could only be performed by the rich and the powerful like feudal lords, rajas and big businessmen. However, it always evoked great enthusiasm and popular support.
But in today's ethos, The evolution of many clubs, associations and societies has made the Puja cosmopolitan in character. The social and ritualistic significance of the Puja has also been modified to a great degree. Today, this festival has become an occasion for pageantry and extravaganza. Age-old conch shells and drums have given way to loud film songs and sometimes the goddess is modeled on popular film actresses. On the flip side, animal sacrifices, a must earlier, have been dispensed with at many places and shrines.
While earlier Durga was worshiped alone, now it is, more often than not, the goddess with her family. Durga is portrayed as the supreme head; and the presence of Ganesha, Kartikeya, Shiva etc marks a wholesome picture of divinity. In southern India celebrations constitute a display of images of God and toys at home for nine days. But despite the various ways in which this festival is celebrated the feature that is common is that of the worship of the mother goddess.
But in today's ethos, The evolution of many clubs, associations and societies has made the Puja cosmopolitan in character. The social and ritualistic significance of the Puja has also been modified to a great degree. Today, this festival has become an occasion for pageantry and extravaganza. Age-old conch shells and drums have given way to loud film songs and sometimes the goddess is modeled on popular film actresses. On the flip side, animal sacrifices, a must earlier, have been dispensed with at many places and shrines.
While earlier Durga was worshiped alone, now it is, more often than not, the goddess with her family. Durga is portrayed as the supreme head; and the presence of Ganesha, Kartikeya, Shiva etc marks a wholesome picture of divinity. In southern India celebrations constitute a display of images of God and toys at home for nine days. But despite the various ways in which this festival is celebrated the feature that is common is that of the worship of the mother goddess.
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